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      ‘Biblos; that was it. And she never seemed to think how time was flying, for she never once alluded to her husband’s being so late. To be sure she might have; she might perhaps have said she was afraid she was keeping me from my occupations, for I could have assured her very handsomely that I was more than pleased to sit and talk to her. And it is all quite true, Thomas, about the Princess’s visit next month. You may be sure I asked about that. She is coming down to spend three days with them, very quietly, Lady Inverbroom said; yes, she said that twice now I come to think of it, though I caught it perfectly the first time. But I shall be very much surprised if I don’t get a note asking us to dine and sleep, with Alice as well perhaps, for I said what a pleasure it would be to Alice to see her beautiful house and grounds some day. But I shall quite understand after what she said about the visit being very quiet, why there will be no party. After all, it was a very pleasant evening we spent there before when there were no guests at all. I said how much we enjoyed quiet visits with no ceremony.{281}’ CHAPTER XIV. Having finished their inspection of the mint, our friends thanked the polite director for his kindness and attention, and bade him good-day. ey returned to the hotel, where their lunch was waiting for them, and sat down on the balcony, where they had feasted and studied the river scenery the day before. Their morning's excursion naturally led them to talk about the money of Japan, and on this subject the Doctor was ready with his usual fund of information. "Where did Mr. Winchape see him?" broke in Allingham, abruptly. "Is that really a fact?" Bruce cried. "Wrong?" Lawrence cried as he paced the room. "Not much. Why, you are giving me the master key to the situation. Look me up again this evening. I guess I shall be able to astonish you. I'm off to Frampton's now. I must have a copy of that paper if it costs me a hundred pounds." "Why do you foist me off with paste jewels?" Maitrank asked, coolly. "Ah you may stare with amazement! You are a very clever actress, madam." At the top, facing two immense rocks that look like couchant lions, there was another palace; one[Pg 100] wall alone is left standing; on the creamy marble a peacock spreads its tail, carved into very delicate sprays and flowers. No one spoke. "I think perhaps I'll go with you, if you'll wait over a day," Cairness told him. He had taken a distinct[Pg 38] fancy to the little botanist who wore his clerical garb while he rode a bronco and drove a pack-mule over the plains and mountains, and who had no fear of the Apache nor of the equally dangerous cow-boy. Cairness asked him further about the hat. "That chimney-pot of yours," he said, "don't you find it rather uncomfortable? It is hot, and it doesn't protect you. Why do you wear it?" Out in the corral the cow-boy was holding forth. The men had stopped work on the instant that Kirby had turned his back. If Kirby could loll on soft cushions and drink tea, as free-born Americans and free-souled Irishmen they might do the same. "It's all right," said the cow-boy, with a running accompaniment of profanity, as he cleaned his brutal Mexican bit. "Johnny Bull don't have to believe in it if he don't like. But all the same, I seen a feller over here[Pg 124] to the 3 C Range, and he told me he seen the military camped over to San Tomaso a week ago, and that there was a lot of stock, hundred head or so, run off from the settlements. You see, them Apaches is making for the southern Chiricahuas over in Sonora to join the Mexican Apaches, and they're going to come this here way. You see!" and he rubbed at the rust vigorously with a piece of soft rawhide. Life went on very much the same at the post when there was only the infantry left in possession. As there was nothing to do at any time, there was nothing the less for that. On the principle that loneliness is greatest in a crowd, Stanton was more isolated now[Pg 183] than Grant had been in the days when there had been no railroad west of Kansas. The railroad was through the southwest now, but it was a hundred miles away. It was unsafe to ride outside the reservation, there was no one for hops, the only excitement was the daily addition to the list of slaughtered settlers. Felipa spent most of her time with the Ellton baby. Miss McLane had been married to Landor's second lieutenant for a year and a half, and they were very happy. But Felipa in the knowledge of the strength of her own love, which gained new might each time that she wrestled with it and threw it back upon the solid ground of duty, found their affection decidedly insipid. Like the majority of marital attachments, it had no especial dignity. It was neither the steadfast friendship she felt for her husband, nor the absolute devotion she would have given Cairness. Still more have "The Seasons" and "The Castle of Indolence" of James Thomson retained, and are likely to retain, the public favour. "The Seasons" is a treasury of the life and imagery of the country, animated by a true love of Nature and of God, and abounding in passages of fire, healthy feeling, and strong sense, often of sublime conceptions, in a somewhat stiff and vicious style. "The Castle of Indolence" is a model of metrical harmony and luxurious fancy, in the Spenserian stanza. Another poet of the same time and country—Scotland—is Allan Ramsay, who, in his native dialect, has painted the manners and sung the rural loves of Scotland in his "Gentle Shepherd" and his rustic lyrics. Till Burns, no Scottish poet so completely embodied the spirit, feelings, and popular life of his country. Amongst a host of verse-makers, then deemed poets, but who were merely imitators of imitators, we must except Gray, with his nervous lyrics, and, above all, his ever-popular "Elegy in a Country Churchyard." Gray also has a genuine vein of wit and merriment in his verse. Collins was a poet who under happier conditions might have done the greatest things. Parnell's "Hermit," Blair's "Grave," Shenstone's "School Mistress," Akenside's "Imagination," can yet charm some readers, and there are others in great numbers whose works yet figure in collections of the poets, or whose individual poems are selected in anthologies, as Smith, King, Sprat Bishop of Rochester, Duke, Montague Earl of Halifax, Nicholas Rowe, Dyer—author of the "Fleece," "Grongar Hill," and "Ruins of Rome,"—Sheffield, Duke of Buckinghamshire, Fenton, Somerville—author of "The Chase," "Field Sports," etc.,—Hammond—author of "Love Elegies,"—Lord Lyttelton, Mallet, Mickle—author of the ballads of "Cumnor Hall," "There's Nae Luck about the House," and translator of the "Lusiad" of Camoens,—Shaw, Harte, West, Cawthorne, Lloyd, Gilbert Cooper, Grainger—author of "The Sugar Cane," and the once popular ballad of "Bryan and Pereene,"—Dodsley, poet and bookseller, Boyse—author of "The Deity," a poem, etc.,—Smollett—more remarkable as a novelist and historian,—Michael Bruce, Walsh, Falconer—author of "The Shipwreck,"—Yalden, Pattison, Aaron Hill, Broome, Pitt—the translator of Virgil,—John Philips—author of "Cider," a poem, "The Splendid Shilling," etc.,—West, and others. In fact, this age produced poets enough to have constituted the rhythmical literature of a nation, had they had as much genius as they had learning. The house was swimming in the light of the western moon. Its strange curves and bulges, its kiln-shaped ends, and great waving sprawl of roof all shone in a white glassy brilliance, which was somehow akin to peace. There was a soft flutter of wind in the orchard and in the sentinel poplars, while now and then came that distant night-purged scrap of song: The abbot waved his hand impatiently, and the monk withdrew. "Give me your hand, for a brave fellow," answered Turner, grasping cordially the conceded member. "There are yet a few bold spirits in this manor. I shall seek them, and I'll warrant they will not leave Wat Turner in the lurch for this bout at least. And as for the lock, the foul fiend himself could not scheme or forge a spring that could keep me out for five minutes. Have your friends together in the field at the back of the town. The nights are dark now; and when I hear the clock strike eight, I shall be with you with all the hands I can gather." "What! Gloucester?" www.wkcxy.com.cn
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